MONUMENTS COLLAPSE / BRÉAG NAOFA - SPLIT LP Review


Split LP w/ Breag Naofa (preorder) cover art

 Bréag Naofa is a Sludge/Post-Metal Band from Seattle, WA, USA

Monuments Collapse is a Post-Metal/Crust Band from San Francisco, USA

MONUMENTS COLLAPSE / BRÉAG NAOFA - SPLIT LP

A new day, and a new split. It's been a good year for the split effort, many notables have crossed my path (and I even have another one to round out the year too). I really enjoyed spinning the Monuments Collapse release from earlier in the year, their brand of post metal was particularly pleasing to these ears, and so it was no great surprise when this split with Bréag Naofa landed in my lap that I was pretty excited. It's being put out in the US by Halo of Flies (always reliable), and it's a suitably tasty piece of wax.

Starting with the Monuments Collapse offerings, 'Starvation' is more immediate than some of their other pieces and is far shorter in length (they can average up to 20 minutes at times) but it is no less epic. Some heavy as balls post metal levelling of the playing field (not making things even, just destroying said field) definitely occurs, in the vein of CoL and other luminaries. No real build here, which has been their signature in the past, just volume and slow, winding riffs. 'Pathos' is more like what I have grown to expect from this group, light and delicate touches that increase and morph into a caged animal. My preferred cut of the two, it's full of bombast toward the end that'll make you feel full of life.

I must admit to not being aware of Seattle's Bréag Naofa prior to this split, but they tag team well with MC. Their styles are not a million miles apart and complement each other quite well. Also, I like numbered track titles. It's the Karma To Burn freak in me, I guess. It makes it all about the music, you have no preconceived notions heading into something if you can't judge a track by it's title. Starting with 'VII' (presumably their seventh track), it's more post metal goodness. Grandiose in display without being a show off, beautiful and elegant guitar even when it's being discordant, and some tremendously clear growled vocals delivered with meaning. Pretty much exactly what you want from this sort of thing. The other tune by them here is (maybe somewhat logically) 'VIII', which features a fantastic echoing effect for the intro and some meaty chug for the main course. It's got some real body to it and it sucks you in with some nice swaying riffs and huge cymbal crashes like waves against rocks. Some people find this sub genre of metal to be pompous, and it can be, but if it's done well it only presents clarity of vision and focus. And that's exactly what Bréag Naofa have achieved here.

Another great split from a year of great splits. Monuments Collapse confirm what I already knew they were capable of, and I definitely know who Bréag Naofa are now, as well of the fact that they quite clearly rule. If you like your metal post and colossal in form then go grab this today, without delay.

Written by Matt Fitton

Thanks to Bariann at The Black Birch PR for sending us a promo to review. You can buy this split LP from Dec 17th 2013 from the following links:

PREORDER:
 
HALO OF FLIES

PRESSING INFO:

Labels: Halo of Flies (Halo64) / Shove Records (SH43.5)

reverse board gatefold covers.
500 copies.
200 on bone/oxblood.


Check The Bands from Following Links:

MONUMENTS COLLAPSE:

BANDCAMP
FACEBOOK

BREAG NAOFA:

BANDCAMP
FACEBOOK

Pet Slimmers Of The Year - Fragments Of Uniforms - Album Review

Image of Fragments of Uniforms (Full-Length Album Digipak) - Limited Run

Pet Slimmers Of The Year
Fragments Of Uniforms

Anchor Music
Released: Early 2014

The members are:
Gowan
Vinten
McKenna


Track Listing:

1. Arterias
2. Gathering Half the Deep and Full of Voices 
3. Tides 
4. Mare Imbrium
5. Churning of the Sea of Milk
6. Days Since I Disappeared
7. Fragments
8. La Tormenta


Running Time: 54 mins 32 seconds

Post-rock can be a tricky thing. It's a genre both boasting a wealth of talented bands and inventive musicianship while also being steadily bogged down by a host of copycats and bandwagon-jumpers, offering little to no originality in their music and appearing content in recycling the same, tired formula and ideas.

Pet Slimmers of the Year are a band from Peterborough, England and are no strangers to this blog. Formed in 2008 and having since released two EPs - the self titled Pet Slimmers of the Year in 2009 and 2010s ...And the Sky Fell, both of which were met with some fanfare here at The Sludgelord, they are finally set to release their debut full-length album which is scheduled to drop this winter. PSOTY are a band that are maybe not exactly reinventing the wheel, but are more than bringing enough to the table to warrant a place in any post-rock fans collection. That's for sure.

From the very first track of Fragments of Uniforms entitled Arterias, the gentle progression of the bands blend of post-rock and atmospheric sludge metal is clear, as the steady but thunderous drumming and the delicate instrumentation builds, the weight of the slowly layered guitar lines becomes more aggressive and the mood grows darker throughout the first half of the record. The subtlety of the progression in the tone and the gradual crescendo of intensity climaxes with the track Churning of the Sea of Milk which explodes immediately into a dose of riff-heavy, down-tempo sludge metal. A track that offers several changes in pace and a trading of the trademark light and dark of the elegant post-rock and the ugly sludge riffs, before the listener is again dragged back into the gentle nature of its smooth and refined soundscapes with the aid of some sparingly used and droning vocal harmonies. 

Most post-rock bands out there, of course, indulge in the minimalist, gradual build-up in their sound that the genre has become known for but with such an often-replicated and recycled formula, it is easy for a record to lose its direction. This record offers exactly what I believe a post-rock or post-metal album should offer. Both a light, easy and relaxing option for background music, and an album that only reveals it's real complexity when afforded a persons full attention. 

Fragments of Uniforms is a very precisely structured, intelligently crafted record and certainly benefits from repeated listens.

Written by Neil Ainger

Fragments of Uniforms will be available to buy early 2014. If you can't wait till then the band have about 9 copies left of their CD here. As they printed a limited edition batch of CD's before the release date. I bought my copy. And it's a truly breathtaking album.

Check The Band From Links Below:


Headover to their BandCamp Page to download their earlier excellent EP's for free.

71TONMAN - S/T - Album Review

71TONMAN cover art 

71TONMAN is a Doom/Sludge Metal Band from Wrocław, Poland

The members are:

J.J.
M.Z.
T.G.
J.W.
K.J

Now I wasn't expecting much from this album. I mean look at the album cover. It looks something from a DIY comic book. But you know how the famous saying goes - Never judge a book by it's cover. And damn that statement is true for 71TONMAN. As their S/T debut is a fucking blast from start to finish.

Heavy Doom/Sludge Metal riffs to crush your skull to. I shouldn't of worried as these guys are from Poland and they have an awesome Doom/Sludge Metal scene currently going on. 71TONMAN are aptly named as the riffs are HUGE and FUCKING HEAVY.

This is an actioned packed 43 minutes with the album telling a superb story of the end of the world and mankind's struggle to fit in with their new surroundings. So the album has a very cool concept indeed and that album cover starts to to show you what to expect once 71TONMAN are in full flow.

The albums riffs are loud, epic and huge. The first track - Intro - provides some narration on what has happened to the world that 71TONMAN exist in. Guitar feedback slowly creeks in over the next two minutes or so slowly showing what is in store for you once the album actually kicks off with the excellent 2nd track - Bacon Bomb.

Yeah crazy title indeed but wait until the first gigantic riffs are played at breakneck speed with insane vocals to match. Damn these guys are heavy!!! - Some dangerous guitar riffs being played here folks with some fantastic drumming driving this album along to its natural conclusion.

If you're a fan of Church Of Misery and Black Sabbath then you're going to be in your element here. It's on the next two tracks where 71TONMAN take this album into greatness. Dr Psycho and Cyborg Jesus (Fucking Cool Names or what!!!) are two epic tracks running for 9 mins and 6:30 minutes respectively. 15 mins of brutal riffs that will definitely turn some heads especially when the band venture into Atmospheric Sludge territory. It gives their sound a truly apocalyptic feel.

This album had me hooked from the very first listen. 71TONMAN have delivered a fucking monster of an album. If you love Fat, low and slow riffs.... as the band have perfectly described their music then you need to check this album out now.

I don't want to spoil anything else about this album. But wait till you hear the 12:14 minute title track.  It's a jaw-dropping ride with more epic riffs for you to rock out to. This track shows what 71TONMAN are all about. A track which starts off with an eerie warning about mankind will do to this new world and what the new inhabitants of this strange world must do to survive. It's a scary tale that will send chills down your entire body.

I am glad I bought this album on a blind purchase and I knew back then this was a special album indeed even when I only listened to a couple of minutes. 71TONMAN is huge and epic as their brilliant name suggests.

This album is awesome. End Of.

You can buy 71TONMAN debut album from BandCamp now.

Check The Band From Links Below

Grave Miasma - Odori Sepulcrorum (Album Review)



Album Type : Full Length
Date Released : 13/9/2013
Label : Sepulchral Voice Records

Odori Sepulcrorum, album track listing :

1). Death's Meditative Trance 6:06
2). Ascension Eye 7:03
3). Ovation to a Thousand Lost Reveries 6:02
4). Εέσχατος 6:05
5). Odoratus Sepulcrorum 7:31
6). Interlude 1:18
7). Seven Coils 8:31
8). Ossuary 6:06

Bio :

Odori Sepulcrorum" promises to mark the next stage of the Death Metal evolution.  Contained are eight tracks of the heaviest, darkest and most noxious Death Metal in existence.  Like vultures feasting on carrion, ‘Odori Sepulcrorum’ will intuitively infect your veins.  The record contains an experimental streak with traditional instrumentation and chants utilised to transport the listener towards an endless void. 

Review :

Occult death metal from London; Grave Miasma are legends on the underground scene and are finally unleashing their full length debut. The sound is big and surprisingly spacey. A rather chilling production style permeates the overall sound and its reverb drenched horror suits the band well.

“Death's Meditative Trance” is weighty and crawling with big drums and big growled vocals. The pace is slow for DM and incorporates an almost black metal sensibility in its creeping melodies.

“Ascension Eye” makes full use of the drum kit from the off and sounds, frankly, horrific. The vocals come thick and fast, echoing and overlaying, while the guitars create an insistent sense of dread. The pace picks up in sections before the fast bass drum-slow snare pattern resumes. There are twists and turns in the middle of the track before refrains are repeated.  A very doomy vibe takes over the lower sections- atmospheric stuff.

“Ovation to a Thousand Lost Reveries” kicks off at a feverish pace then repeats the riff but with a much slower drum tempo- a classic trick. Odd leads punctuate the closing sections of the song.  The song lengths are gratifyingly epic- not one of the first half of the record's tracks goes beneath six minutes and only “Interlude” in the second half (somewhat predicatably) does not reach the first half's bench mark.

“Eschatos” is menacing indeed. The guitars are reverbed to the extreme with bursts of pace and crawling darkness juxtaposing each other very effectively.  “Odoratus Sepulcrorum” represents a title track of sorts and thus encapsulates the pluses of the album. It combines a long playing time with many disparate sections and a rather fantastic and spacey sequence around the two minute mark. The musicianship is excellent and the overall atmosphere is pervasively dark and bleak. Tempos shift and grooves are locked into before fury takes hold again. A very intriguing and twisting path!

The aforementioned “Interlude” is guitar atmospherics with some excellent production and mixing tricks. It sets the stage (darkly) for “Seven Coils” with a flourish of percussion that becomes integral to the opening of the track. Once again, bleakness dominates proceedings- even through the blasting sections. The track is again unpredictable over its eight minutes plus and quite ferocious in places. Dissection sprang to my mind more than once over the album's duration- the style is not similar necessarily, but the atmosphere is, as is some of the fury.

“Ossuary” lumbers into earshot with slow forceful rhythms from drums and guitars. The album thus closes on a downbeat and relentless note- dark riffs and rolling bass drums colliding in a bottomless pit of despair.

This record is one for those of you who enjoy bleak, dark records that are difficult to pigeon-hole. It has elements of death metal (don't think Cannibal Corpse, though), elements of black metal (Dissection, not Darkthrone) and the bleakness of bands like Dragged Into Sunlight. It is mesmerising stuff and well worth spending your hard earned cash on. Support the underground and support Grave Miasma.

Words by : Richard Maw

You can get it here





For more information :
https://www.facebook.com/gravemiasma

Vinyl Corner : We Are Knuckle Dragger - The Drone (Album Review)























Album Type :  Full Length
Date Released : 21/10/2013
Label : Sapien Recordings

The Drone, album track listing :

1. This Better Be Life Threatening Norman 02:25
2. Starting Strength 03:30
3. Class Of 94 02:29
4. Bunch Of Fucking Mutants 02:39
5. Sucker 03:19
6. The Moon On A Stick 02:07
7. Learning By Doing 02:08
8. Heres Your Shit Sandwich 03:03
9. Flapjack The Ripper 02:37
10. Funhouse 04:30

The Band :

Aran Glover
Pete Currie
Shaun Abbott

Review :

Few things these days get me more excited than receiving new wax, so when the new record by WAKD dropped on the matt in all its 180 gram splendour, I was understandably excited to give it a spin. 

Before I began on my journey with The Sludgelord, the first and only review I did previously, was coincidently a live review for We Are Knuckle Dragger (nobody saw it!!).  Skip forward 18 months or so and with countless road miles under their belt, supporting Meshuggah, shows at Reading / Leeds festival, not to mention working at Electric Audio with Steve Albini, the Geordies  are back with their latest record, The Drone. 

I’m not gonna lie, I loved their previous record, Tit for Tat, but The Drone, Wow! Straight of the bat, this record does not fuck about.  It is a rather unpleasant affair, indeed how these crazy bastards produced this incongruent nihilistic rager, beggar’s belief.  A symbiotic trio programmed to dish out their own musical Ipecac tablet.  The Drone is guaranteed to induce convulsions.  It is a discordant noise rock Pandora’s box, awkward and unyielding in character.  Shit, if this was a mathematics equation, Einstein would struggle to deal with it.  Did I mention it’s on Clear Frosted Wax?  Even better, right!  

Songs like the brilliantly titled Class of 94’, Bunch of Fucking Mutants are some of the heaviest I have heard this year; angular, abrasive and likely to cause fatigue.  Hell, Kinetosis aint got nothing on this.  Like a 21st century Trout Mask Replica, WAKD produce music which is experimental, avande garde and a bloody masterpiece of noise laden ambition.  Surreptitious in one sense, because in many ways it will not be met with widespread approval, due in no small part to the overspill of neurotic chaos that ensues throughout.

If you like your music unorthodox, challenging and nuttier that bunch of hoarding squirrels, this record is a must have.  Influences can be found from Frank Zappa to Helmet to Jesus Lizard to Cows to Unsane, all wrapped up in a Ross Robinson (he produced it) approved bow.  Within the confines of the abrasion is also a sense of swagger and humour.  Class of 94 is the darkest of all nursery rhymes with amusing anecdotes of ‘Loose Lucy can’t stop fucking her friends and Cautious Rick shot himself in the foot .’  Here’s Your Shit Sandwich with arguably the best song title ever and the refrain of “So nice to meet you, now it’s time to defeat”.  Simply genius writing!  Indeed, if shit tastes this good and was worth something, you better watch who’s near your asshole. 

The Drone is augmented by stunning musicianship throughout and the mix is particularly great too, with every audible detail crystal clear, married together with a distinct live feel.  Arcane yes and music that may be appreciated by few, but investigate the evil secrets of The Drone and you will be rewarded in spades.  The Drone is at variance with conformity, indeed it makes your ears want to have a punch up such is the intensity of the cacophonous jarring discord on offer.  Music is supposed to challenge and excite, The Drone does that and more.  WAKD are taking conformity by the neck and kicking its ass.  Superb stuff and a breathtaking package all round.  Rick Rubin for the next one, boys!! On this performance, hell Kurt Ballou might be knocking on your door!!

Words by : Aaron Pickford

You can buy the sumptuous Limited Edition 12" Vinyl pressed on heavyweight 180g Frosted Clear vinyl cut @ 45 RPM here included is a free download.  Special thanks to Sapien for offering the vinyl for review.  Too badass for words.  \m/



For more information :
@WAKDragger
@SapienRecords

Interview with GOYA



The Sludge/Stoner/Doom Metal scene can be a total bitch at times. There are bands that deserve to be so much bigger than they actually are. They have the talent and vision to play with the best of them but sadly it takes a lot time for people to catch on.

Today's guests – GOYA – are one such band. They are about to release their incredible début album – 777 – in early 2014. Though they were smart enough to release a very limited edition run of different vinyls in October 2013 which have now all sold out.

I was smart enough to buy a copy of the 1st Stage – Black Light Edition – as did our very good friend and resident vinyl expert – Heddbuzz.

I said this about the album.

"777 is a gigantic bulldozer of riffs. Nothing much has changed since Goya’s début demo release. Well apart from the band have upped the volume of their music to huge levels.

GOYA unleash some unwanted anger and fury off their chest. It is a song we can all relate to when having a bad day and this song is the perfect soundtrack to get all the negative things off your chest. 777 is an excellent début record. It is full of mean riffs that should get GOYA more exposure within the Doom/Stoner Metal scene. The production is immense on the album. So no complaints on that score.”


GOYA are a band who I predict very big things in the next few years or so. Until people catch on it's my pleasure to be interviewing Jeff Owens (Vox/Guitar) these truly talented Sludge Rockers. So lets see what Jeff has to say.

Q1 – Hi Jeff, How are things with you today. Thanks for doing this.

Doing pretty well. Thanks for all of the kind words.


Q2 – Can you give a brief history on how the band came about.

I was playing guitar in a punk band at the time and wanted to start doing some heavier material. Needing a greater outlet for all of the anger I seem unable to escape, and really itching to sing and write lyrics, I started working on songs for a new project. Shortly after that, our drummer moved out of state and we disbanded, so I formed what would become Goya.

Q3 – How would you describe your overall sound. As you guys pack a lot of different sounds and vibes on your brilliant demo release and excellent new album 777.

I always try to bring a lot of myself into the music I write, so I hope that there is something unique somewhere in our sound, but I think labeling us "stoner metal", "doom metal", or "stoner doom metal" is pretty accurate.

Q4 – Where did the name GOYA come from. Any specific meaning.

It is a reference to the Spanish romantic painter Francisco Goya. Toward the end of his life, he painted a series of paintings on the walls inside of his home that are now known as the Black Paintings. All of these paintings are absolutely spectacular works of art (as are all of his paintings prior), and they are what made me gravitate toward the name, as it was tough to choose just one favorite. (Though, if I had to, it would probably be Saturn Devouring His Son.)



Q5 – Which bands and artists influenced you as musicians.

I am a really big fan of Black Sabbath, Electric Wizard, and Sleep, so I think those bands tend to weigh fairly heavily on our sound. Since I frequently listen to them, it's a constant battle of trying not to sound TOO much like them, but I think the influence of those three is apparent. Some other personal influences that aren't so apparent in our sound are Thin Lizzy, Bathory, David Bowie, and Darkthrone. The list goes on and on. I'm also a huge Nirvana fan. Kurt Cobain is the sole reason I started playing guitar.


Q6 – Now lets talk about your brilliant début album – 777. Thank you for letting me reviewing it early. Loved the album from start to finish. Now whose crazy and insane idea was to release the album in different stages. Limited Edition Vinyls in October 2013 and the normal album release in Dec 2013/Jan 2014.

Haha. That was my crazy idea. When you order vinyl a lot of times, there is an overage, so we ended up with 16 extra records. Since I was getting antsy to get 777 into our fans hands, and was trying to figure out what to do with the extra records, I realized we could do a limited edition using the overage and cutting into the 500 regular editions a little.

Q7 – You must have been pleased that both Vinyls sold out pretty quickly.

It's definitely a nice feeling when you pour time and energy into something and it is received well when you put it out there! Hopefully it does well when the regular edition comes out.

Q8 – Who came up with the design of both editions. As you have created a truly stunning package from the pictures that I have seen. Though I will give a more in-depth description when it finally arrives in the UK.

Laney Oleniczak did the drawing for the cover. It was definitely a collaborative effort though as far as the concept. I knew I wanted to do a 12x18, fold-over, screen printed cover. From there I gave her a handful of things I would like to see together, and she went with the reaper, wolf, and poppies. She spent literally dozens of hours working on the art. Then we loaded it into Photoshop and she spent another dozen or so hours coloring it. After that, I sort of took over and tried out a few different logos before we landed on the one you see on the cover, which will probably be around for a while. I finished it up with the background and layout, made sure that she loved it as much as I did, since it's her work of art, and that was it!

We knew we were going to do two different colored versions the whole time, but somewhere as the art went along, someone decided to make one of them a blacklight sensitive version.

I did the layout for the insert, as well. She drew up the skull with the beetle on it, then we loaded into PS again, and I put the weird upside down negative triangle thing over it. The vines you see on the other side of the insert are Aubrey Beardsley's work, lifted from a book.


Q9 – Did you pay for the pressing of these vinyls yourselves. If you did then I have lots of more respect for you guys. Paying this yourselves for something you truly believe in.

I paid for it all out of my own pocket. It's definitely something I truly believe in and I'm just happy to have a Goya 12" of my own to hold, no matter what the cost.

Q10 – Was 777 a hard or easy album to record for.

Honestly, most of it was pretty easy. There were a couple of hiccups. Recording live is always interesting because you're basically doing take after take of each song. There is a certain pressure I think every member of the band felt because if you screw up, you ruin the whole take for everyone. This really sucks when it comes time to play a solo!

Our bass player recorded the whole thing in our practice space/warehouse (excluding vocals which were done later in his bedroom), so it was pretty stress-free, since we weren't paying someone an hourly studio rate. In the end, I think the hardest thing was getting everyone to be there every day for four days in a row. Haha.

777 cover art

Q11 – Why did you call the album 777. Any specific meaning.

It's the title of a reference book. There's more to it, but that's a secret.

Q12 – I first noticed you guys back in 2012 when you released your demo release. It caused quite a stir within the Stoner/Doom metal community. Were you pleased with the responses you received from the demo release.

Definitely! We sold out of the original run of 100 fairly quickly, and a lot of them were selling to people all over the world. When we made the demo, it was so we would have music to have to get to people who saw us at shows, and to send out for reviews, but we sold so many online that, before long, there weren't any left to sell at shows. We then made a second run of 25 which were gone even more quickly.

Q13 – How big of a help has BandCamp and the Sludge/Doom/Stoner Metal community been in getting your music across to fans.

Bandcamp is great. As I said, a lot of our demos went out to people all over the world, and without BC, that would have been much more of a hassle. Plus, so many people only want digital versions of their music now, and BC makes it really easy to make a high quality, professional download of your music. They also give you your own merch store, which is really cool.


Q14 – What is the songwriting process in the band? Is it a group collective or is just down to one individual

For the most part I write the music. I spend a lot of time at home playing guitar and coming up with riffs. Often, I'll have a complete demo version of a song recorded at home before anyone in the band knows it exists. That being said, everyone contributes their part. So, basically, I'll come up with a skeleton for a song, bring it to the band, and we'll go from there.

Q15 – Do you play a lot of gigs in your hometown or do you have to travel further away to perform on a regular occasion.

We've played mostly in our hometown. We've played a couple of gigs in Tucson, but that's a stone's throw away, so it's hardly an out of town gig.


Q16 – In 5 words or less describe the GOYA live experience.

Loud and soulless.

Q17 – What are your views of bands using websites like Kickstarter and Indiegogo to fund their new album releases. Some people and bands are for it. Some are not. Would you consider doing some thing like that yourselves.

I think it's cool that those things exist for people that want to use them, I suppose. I'm not exactly a fan though.

Q18 - What are the most and least rewarding aspects of participating with the band? Obviously, the reality of how expensive it is being in a band could be considered as a negative aspect.

I think the most rewarding aspect is getting to play guitar really fucking loud, and getting to yell at the top of my lungs, meaning, the most rewarding aspect is performing the music. The least rewarding aspect? I don't know that there is one. I guess it would have to be that we don't have enough albums out yet. We'll have to fix that.


Q19 - What pisses you off most in music. Or do you not let the bad things in music stop you from performing and writing songs

Morrissey pisses me off. Fuck that guy. But I don't let how much he sucks stop me from making music.

Q20 - If you could provide words to wisdom for people wanting to start a band – What would they be.

Don't listen to what anyone tells you you can or can't do. Actually, scratch that, listen really closely to them, and then stab them in the fucking throat.

Q21 - Finally do you have anything to say to your fans.

Smoke weed and kill yourself.

I want to thank Jeff for taking the timeout to talk to us at Sludgelord. We are huge fans of this brilliant band. Their debut album is now available to Buy/Pre-order on Digital Download and Vinyl now from BandCamp

Check The Band From Links Below

Facebook
BandCamp

Rabbit - II

II cover art

Rabbit is an Ambient/Doom/Sludge/Stoner Metal band from Boston, USA

The members are:

EN- Drums
BB- Guitars
AK- Guitars

Rabbit is a superb Instrumental Metal Band to check out. Rabbit blend Ambient, Sludge, Doom and Stoner Metal for something very different in the realm of Instrumental Rock.

Their latest release - II - is a 3 song and 30 minute affair of sublime riffs that will soon get under your skin. Rabbit expertly create bone-crunching riffs for you to devour. They may play at a slow-to-mid pace but Rabbit actually have some epic hard-hitting riffs to check out.

Imagine Karma To Burn jamming with Sardonis with a hint of Sunn0))) based ambient doom and that is the closest I can get to describing Rabbit's sound.

II maybe a bit under-produced but it's still a great sounding album with plenty of riffs for you all to check out. Everyone Can Go To Hell and (Step On Down To) Black Magic being two of the main reasons to download this EP.

Download this now on BandCamp as it's available on Buy Now Download. Light up your fave bong and worship with the mighty Rabbit. As they are going to take you on an epic journey full of drawn out Ambient based Sludge/Stoner Metal riffs. Play this release LOUD!!!!

Excellent and Highly Recommended.

Check The Band From Links Below

Facebook
BandCamp
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