Grave Miasma - Odori Sepulcrorum (Album Review)



Album Type : Full Length
Date Released : 13/9/2013
Label : Sepulchral Voice Records

Odori Sepulcrorum, album track listing :

1). Death's Meditative Trance 6:06
2). Ascension Eye 7:03
3). Ovation to a Thousand Lost Reveries 6:02
4). Εέσχατος 6:05
5). Odoratus Sepulcrorum 7:31
6). Interlude 1:18
7). Seven Coils 8:31
8). Ossuary 6:06

Bio :

Odori Sepulcrorum" promises to mark the next stage of the Death Metal evolution.  Contained are eight tracks of the heaviest, darkest and most noxious Death Metal in existence.  Like vultures feasting on carrion, ‘Odori Sepulcrorum’ will intuitively infect your veins.  The record contains an experimental streak with traditional instrumentation and chants utilised to transport the listener towards an endless void. 

Review :

Occult death metal from London; Grave Miasma are legends on the underground scene and are finally unleashing their full length debut. The sound is big and surprisingly spacey. A rather chilling production style permeates the overall sound and its reverb drenched horror suits the band well.

“Death's Meditative Trance” is weighty and crawling with big drums and big growled vocals. The pace is slow for DM and incorporates an almost black metal sensibility in its creeping melodies.

“Ascension Eye” makes full use of the drum kit from the off and sounds, frankly, horrific. The vocals come thick and fast, echoing and overlaying, while the guitars create an insistent sense of dread. The pace picks up in sections before the fast bass drum-slow snare pattern resumes. There are twists and turns in the middle of the track before refrains are repeated.  A very doomy vibe takes over the lower sections- atmospheric stuff.

“Ovation to a Thousand Lost Reveries” kicks off at a feverish pace then repeats the riff but with a much slower drum tempo- a classic trick. Odd leads punctuate the closing sections of the song.  The song lengths are gratifyingly epic- not one of the first half of the record's tracks goes beneath six minutes and only “Interlude” in the second half (somewhat predicatably) does not reach the first half's bench mark.

“Eschatos” is menacing indeed. The guitars are reverbed to the extreme with bursts of pace and crawling darkness juxtaposing each other very effectively.  “Odoratus Sepulcrorum” represents a title track of sorts and thus encapsulates the pluses of the album. It combines a long playing time with many disparate sections and a rather fantastic and spacey sequence around the two minute mark. The musicianship is excellent and the overall atmosphere is pervasively dark and bleak. Tempos shift and grooves are locked into before fury takes hold again. A very intriguing and twisting path!

The aforementioned “Interlude” is guitar atmospherics with some excellent production and mixing tricks. It sets the stage (darkly) for “Seven Coils” with a flourish of percussion that becomes integral to the opening of the track. Once again, bleakness dominates proceedings- even through the blasting sections. The track is again unpredictable over its eight minutes plus and quite ferocious in places. Dissection sprang to my mind more than once over the album's duration- the style is not similar necessarily, but the atmosphere is, as is some of the fury.

“Ossuary” lumbers into earshot with slow forceful rhythms from drums and guitars. The album thus closes on a downbeat and relentless note- dark riffs and rolling bass drums colliding in a bottomless pit of despair.

This record is one for those of you who enjoy bleak, dark records that are difficult to pigeon-hole. It has elements of death metal (don't think Cannibal Corpse, though), elements of black metal (Dissection, not Darkthrone) and the bleakness of bands like Dragged Into Sunlight. It is mesmerising stuff and well worth spending your hard earned cash on. Support the underground and support Grave Miasma.

Words by : Richard Maw

You can get it here





For more information :
https://www.facebook.com/gravemiasma

Vinyl Corner : We Are Knuckle Dragger - The Drone (Album Review)























Album Type :  Full Length
Date Released : 21/10/2013
Label : Sapien Recordings

The Drone, album track listing :

1. This Better Be Life Threatening Norman 02:25
2. Starting Strength 03:30
3. Class Of 94 02:29
4. Bunch Of Fucking Mutants 02:39
5. Sucker 03:19
6. The Moon On A Stick 02:07
7. Learning By Doing 02:08
8. Heres Your Shit Sandwich 03:03
9. Flapjack The Ripper 02:37
10. Funhouse 04:30

The Band :

Aran Glover
Pete Currie
Shaun Abbott

Review :

Few things these days get me more excited than receiving new wax, so when the new record by WAKD dropped on the matt in all its 180 gram splendour, I was understandably excited to give it a spin. 

Before I began on my journey with The Sludgelord, the first and only review I did previously, was coincidently a live review for We Are Knuckle Dragger (nobody saw it!!).  Skip forward 18 months or so and with countless road miles under their belt, supporting Meshuggah, shows at Reading / Leeds festival, not to mention working at Electric Audio with Steve Albini, the Geordies  are back with their latest record, The Drone. 

I’m not gonna lie, I loved their previous record, Tit for Tat, but The Drone, Wow! Straight of the bat, this record does not fuck about.  It is a rather unpleasant affair, indeed how these crazy bastards produced this incongruent nihilistic rager, beggar’s belief.  A symbiotic trio programmed to dish out their own musical Ipecac tablet.  The Drone is guaranteed to induce convulsions.  It is a discordant noise rock Pandora’s box, awkward and unyielding in character.  Shit, if this was a mathematics equation, Einstein would struggle to deal with it.  Did I mention it’s on Clear Frosted Wax?  Even better, right!  

Songs like the brilliantly titled Class of 94’, Bunch of Fucking Mutants are some of the heaviest I have heard this year; angular, abrasive and likely to cause fatigue.  Hell, Kinetosis aint got nothing on this.  Like a 21st century Trout Mask Replica, WAKD produce music which is experimental, avande garde and a bloody masterpiece of noise laden ambition.  Surreptitious in one sense, because in many ways it will not be met with widespread approval, due in no small part to the overspill of neurotic chaos that ensues throughout.

If you like your music unorthodox, challenging and nuttier that bunch of hoarding squirrels, this record is a must have.  Influences can be found from Frank Zappa to Helmet to Jesus Lizard to Cows to Unsane, all wrapped up in a Ross Robinson (he produced it) approved bow.  Within the confines of the abrasion is also a sense of swagger and humour.  Class of 94 is the darkest of all nursery rhymes with amusing anecdotes of ‘Loose Lucy can’t stop fucking her friends and Cautious Rick shot himself in the foot .’  Here’s Your Shit Sandwich with arguably the best song title ever and the refrain of “So nice to meet you, now it’s time to defeat”.  Simply genius writing!  Indeed, if shit tastes this good and was worth something, you better watch who’s near your asshole. 

The Drone is augmented by stunning musicianship throughout and the mix is particularly great too, with every audible detail crystal clear, married together with a distinct live feel.  Arcane yes and music that may be appreciated by few, but investigate the evil secrets of The Drone and you will be rewarded in spades.  The Drone is at variance with conformity, indeed it makes your ears want to have a punch up such is the intensity of the cacophonous jarring discord on offer.  Music is supposed to challenge and excite, The Drone does that and more.  WAKD are taking conformity by the neck and kicking its ass.  Superb stuff and a breathtaking package all round.  Rick Rubin for the next one, boys!! On this performance, hell Kurt Ballou might be knocking on your door!!

Words by : Aaron Pickford

You can buy the sumptuous Limited Edition 12" Vinyl pressed on heavyweight 180g Frosted Clear vinyl cut @ 45 RPM here included is a free download.  Special thanks to Sapien for offering the vinyl for review.  Too badass for words.  \m/



For more information :
@WAKDragger
@SapienRecords

Interview with GOYA



The Sludge/Stoner/Doom Metal scene can be a total bitch at times. There are bands that deserve to be so much bigger than they actually are. They have the talent and vision to play with the best of them but sadly it takes a lot time for people to catch on.

Today's guests – GOYA – are one such band. They are about to release their incredible début album – 777 – in early 2014. Though they were smart enough to release a very limited edition run of different vinyls in October 2013 which have now all sold out.

I was smart enough to buy a copy of the 1st Stage – Black Light Edition – as did our very good friend and resident vinyl expert – Heddbuzz.

I said this about the album.

"777 is a gigantic bulldozer of riffs. Nothing much has changed since Goya’s début demo release. Well apart from the band have upped the volume of their music to huge levels.

GOYA unleash some unwanted anger and fury off their chest. It is a song we can all relate to when having a bad day and this song is the perfect soundtrack to get all the negative things off your chest. 777 is an excellent début record. It is full of mean riffs that should get GOYA more exposure within the Doom/Stoner Metal scene. The production is immense on the album. So no complaints on that score.”


GOYA are a band who I predict very big things in the next few years or so. Until people catch on it's my pleasure to be interviewing Jeff Owens (Vox/Guitar) these truly talented Sludge Rockers. So lets see what Jeff has to say.

Q1 – Hi Jeff, How are things with you today. Thanks for doing this.

Doing pretty well. Thanks for all of the kind words.


Q2 – Can you give a brief history on how the band came about.

I was playing guitar in a punk band at the time and wanted to start doing some heavier material. Needing a greater outlet for all of the anger I seem unable to escape, and really itching to sing and write lyrics, I started working on songs for a new project. Shortly after that, our drummer moved out of state and we disbanded, so I formed what would become Goya.

Q3 – How would you describe your overall sound. As you guys pack a lot of different sounds and vibes on your brilliant demo release and excellent new album 777.

I always try to bring a lot of myself into the music I write, so I hope that there is something unique somewhere in our sound, but I think labeling us "stoner metal", "doom metal", or "stoner doom metal" is pretty accurate.

Q4 – Where did the name GOYA come from. Any specific meaning.

It is a reference to the Spanish romantic painter Francisco Goya. Toward the end of his life, he painted a series of paintings on the walls inside of his home that are now known as the Black Paintings. All of these paintings are absolutely spectacular works of art (as are all of his paintings prior), and they are what made me gravitate toward the name, as it was tough to choose just one favorite. (Though, if I had to, it would probably be Saturn Devouring His Son.)



Q5 – Which bands and artists influenced you as musicians.

I am a really big fan of Black Sabbath, Electric Wizard, and Sleep, so I think those bands tend to weigh fairly heavily on our sound. Since I frequently listen to them, it's a constant battle of trying not to sound TOO much like them, but I think the influence of those three is apparent. Some other personal influences that aren't so apparent in our sound are Thin Lizzy, Bathory, David Bowie, and Darkthrone. The list goes on and on. I'm also a huge Nirvana fan. Kurt Cobain is the sole reason I started playing guitar.


Q6 – Now lets talk about your brilliant début album – 777. Thank you for letting me reviewing it early. Loved the album from start to finish. Now whose crazy and insane idea was to release the album in different stages. Limited Edition Vinyls in October 2013 and the normal album release in Dec 2013/Jan 2014.

Haha. That was my crazy idea. When you order vinyl a lot of times, there is an overage, so we ended up with 16 extra records. Since I was getting antsy to get 777 into our fans hands, and was trying to figure out what to do with the extra records, I realized we could do a limited edition using the overage and cutting into the 500 regular editions a little.

Q7 – You must have been pleased that both Vinyls sold out pretty quickly.

It's definitely a nice feeling when you pour time and energy into something and it is received well when you put it out there! Hopefully it does well when the regular edition comes out.

Q8 – Who came up with the design of both editions. As you have created a truly stunning package from the pictures that I have seen. Though I will give a more in-depth description when it finally arrives in the UK.

Laney Oleniczak did the drawing for the cover. It was definitely a collaborative effort though as far as the concept. I knew I wanted to do a 12x18, fold-over, screen printed cover. From there I gave her a handful of things I would like to see together, and she went with the reaper, wolf, and poppies. She spent literally dozens of hours working on the art. Then we loaded it into Photoshop and she spent another dozen or so hours coloring it. After that, I sort of took over and tried out a few different logos before we landed on the one you see on the cover, which will probably be around for a while. I finished it up with the background and layout, made sure that she loved it as much as I did, since it's her work of art, and that was it!

We knew we were going to do two different colored versions the whole time, but somewhere as the art went along, someone decided to make one of them a blacklight sensitive version.

I did the layout for the insert, as well. She drew up the skull with the beetle on it, then we loaded into PS again, and I put the weird upside down negative triangle thing over it. The vines you see on the other side of the insert are Aubrey Beardsley's work, lifted from a book.


Q9 – Did you pay for the pressing of these vinyls yourselves. If you did then I have lots of more respect for you guys. Paying this yourselves for something you truly believe in.

I paid for it all out of my own pocket. It's definitely something I truly believe in and I'm just happy to have a Goya 12" of my own to hold, no matter what the cost.

Q10 – Was 777 a hard or easy album to record for.

Honestly, most of it was pretty easy. There were a couple of hiccups. Recording live is always interesting because you're basically doing take after take of each song. There is a certain pressure I think every member of the band felt because if you screw up, you ruin the whole take for everyone. This really sucks when it comes time to play a solo!

Our bass player recorded the whole thing in our practice space/warehouse (excluding vocals which were done later in his bedroom), so it was pretty stress-free, since we weren't paying someone an hourly studio rate. In the end, I think the hardest thing was getting everyone to be there every day for four days in a row. Haha.

777 cover art

Q11 – Why did you call the album 777. Any specific meaning.

It's the title of a reference book. There's more to it, but that's a secret.

Q12 – I first noticed you guys back in 2012 when you released your demo release. It caused quite a stir within the Stoner/Doom metal community. Were you pleased with the responses you received from the demo release.

Definitely! We sold out of the original run of 100 fairly quickly, and a lot of them were selling to people all over the world. When we made the demo, it was so we would have music to have to get to people who saw us at shows, and to send out for reviews, but we sold so many online that, before long, there weren't any left to sell at shows. We then made a second run of 25 which were gone even more quickly.

Q13 – How big of a help has BandCamp and the Sludge/Doom/Stoner Metal community been in getting your music across to fans.

Bandcamp is great. As I said, a lot of our demos went out to people all over the world, and without BC, that would have been much more of a hassle. Plus, so many people only want digital versions of their music now, and BC makes it really easy to make a high quality, professional download of your music. They also give you your own merch store, which is really cool.


Q14 – What is the songwriting process in the band? Is it a group collective or is just down to one individual

For the most part I write the music. I spend a lot of time at home playing guitar and coming up with riffs. Often, I'll have a complete demo version of a song recorded at home before anyone in the band knows it exists. That being said, everyone contributes their part. So, basically, I'll come up with a skeleton for a song, bring it to the band, and we'll go from there.

Q15 – Do you play a lot of gigs in your hometown or do you have to travel further away to perform on a regular occasion.

We've played mostly in our hometown. We've played a couple of gigs in Tucson, but that's a stone's throw away, so it's hardly an out of town gig.


Q16 – In 5 words or less describe the GOYA live experience.

Loud and soulless.

Q17 – What are your views of bands using websites like Kickstarter and Indiegogo to fund their new album releases. Some people and bands are for it. Some are not. Would you consider doing some thing like that yourselves.

I think it's cool that those things exist for people that want to use them, I suppose. I'm not exactly a fan though.

Q18 - What are the most and least rewarding aspects of participating with the band? Obviously, the reality of how expensive it is being in a band could be considered as a negative aspect.

I think the most rewarding aspect is getting to play guitar really fucking loud, and getting to yell at the top of my lungs, meaning, the most rewarding aspect is performing the music. The least rewarding aspect? I don't know that there is one. I guess it would have to be that we don't have enough albums out yet. We'll have to fix that.


Q19 - What pisses you off most in music. Or do you not let the bad things in music stop you from performing and writing songs

Morrissey pisses me off. Fuck that guy. But I don't let how much he sucks stop me from making music.

Q20 - If you could provide words to wisdom for people wanting to start a band – What would they be.

Don't listen to what anyone tells you you can or can't do. Actually, scratch that, listen really closely to them, and then stab them in the fucking throat.

Q21 - Finally do you have anything to say to your fans.

Smoke weed and kill yourself.

I want to thank Jeff for taking the timeout to talk to us at Sludgelord. We are huge fans of this brilliant band. Their debut album is now available to Buy/Pre-order on Digital Download and Vinyl now from BandCamp

Check The Band From Links Below

Facebook
BandCamp

Rabbit - II

II cover art

Rabbit is an Ambient/Doom/Sludge/Stoner Metal band from Boston, USA

The members are:

EN- Drums
BB- Guitars
AK- Guitars

Rabbit is a superb Instrumental Metal Band to check out. Rabbit blend Ambient, Sludge, Doom and Stoner Metal for something very different in the realm of Instrumental Rock.

Their latest release - II - is a 3 song and 30 minute affair of sublime riffs that will soon get under your skin. Rabbit expertly create bone-crunching riffs for you to devour. They may play at a slow-to-mid pace but Rabbit actually have some epic hard-hitting riffs to check out.

Imagine Karma To Burn jamming with Sardonis with a hint of Sunn0))) based ambient doom and that is the closest I can get to describing Rabbit's sound.

II maybe a bit under-produced but it's still a great sounding album with plenty of riffs for you all to check out. Everyone Can Go To Hell and (Step On Down To) Black Magic being two of the main reasons to download this EP.

Download this now on BandCamp as it's available on Buy Now Download. Light up your fave bong and worship with the mighty Rabbit. As they are going to take you on an epic journey full of drawn out Ambient based Sludge/Stoner Metal riffs. Play this release LOUD!!!!

Excellent and Highly Recommended.

Check The Band From Links Below

Facebook
BandCamp

Chip R. Bell: Managers As Mentors - Blog Business Success

Listen to Wayne Hurlbert on Blog Talk Radio


Consultant, trainer, senior partner with the Chip Bell Group, and co-author of he completely revised third edition of the very practical and engaged partnership based book Managers as Mentors: Building Partnerships for Learning, Third Edition, Chip R. Bell describes how the relationship between a mentor and the protege goes far beyond coaching to become a real learning partnership. Chip Bell provides a fresh approach to mentoring that establishes every manager as a potential mentor for colleagues, co-workers, and team members. Instead of simply coaching to create improved performance, Chip Bell demonstrates how the mentorship becomes a mutual and collaborative learning opportunity. Chip Bell outlines the SAGE structure of the mentoring experience. The four steps of Surrendering, Accepting, Gifting, and Extending create a positive and cooperative learning environment that benefits the mentor, the mentee, and the whole organization. Chip Bell also shares ideas for continued, self planned learning after the mentoring experience ends. Learn how to be both a great mentor, and a strong mentee, and share in the lifelong learning process.

Chip R. Bell is my internet radio show guest on Blog Business Success; hosted live on BlogTalkRadio.

The show airs live on Thursday, August 8, at 8:00 pm Eastern Time; 5:00 pm Pacific Time.

Consultant, trainer, senior partner with the Chip Bell Group, and co-author of he completely revised third edition of the very practical and engaged partnership based book Managers as Mentors: Building Partnerships for Learning, Third Edition, Chip R. Bell describes how the relationship between a mentor and the protege goes far beyond coaching to become a real learning partnership. You will learn:

* Why a fresh approach to mentoring is needed in organizations

* Why mentoring should emphasize collaborative learning between people

* Hoe to apply the SAGE principle of shared mentorship

* How to continue the process both independently and across the entire firm


Chip R. Bell (photo left) s a senior partner with the Chip Bell Group and has worked as consultant, trainer, and speaker to a number of major organizations. As a highly decorated infantry unit commander with the elite 82nd Airborne during the Vietnam war, Chip went on to join the faculty of the Instructional Methods Division of the Army Infantry School, and served as an adjunct instructor at Cornell University, Manchester University (UK), and Penn State University.

He has authored or co-authored nineteen books, including Wired and Dangerous: How Your Customers Have Changed and What to Do About it (with John Patterson) and Managing Knock Your Socks Off Service (with Ron Zemke), and his articles on training and learning have appeared in numerous professional journals.

My book review of Managers as Mentors: Building Partnerships for Learning, Third Edition by Chip R. Bell and Marshall Goldsmith.

My book review of Wired and Dangerous: How Your Customers Have Changed and What to Do About It by Chip R. Bell and John R. Patterson.

Listen live on Thursday at 8:00 pm Eastern, 5:00 pm Pacific time.

BlogTalkRadio.com

If you miss this very informative show, it will be available for free download as a podcast for iPod, iTunes, and MP3 players; or play it right on your computer. To download this, or any other of my guest interviews, go to the Blog Business Success host page and click on Archived Segments. Once there, click on the podcast icon at the end of the episode description, to download the show free of charge for your listening enjoyment. You can also subscribe to the show feed.

Add to iTunes

To call in questions for my guest, the number is: (347) 996-5832

Let's talk with consultant, trainer, senior partner with the Chip Bell Group, and co-author of he completely revised third edition of the very practical and engaged partnership based book Managers as Mentors: Building Partnerships for Learning, Third Edition, Chip R. Bell, as he describes how the relationship between a mentor and the protege goes far beyond coaching to become a real learning partnership. Chip Bell provides a fresh approach to mentoring that establishes every manager as a potential mentor for colleagues, co-workers, and team members. Instead of simply coaching to create improved performance, Chip Bell demonstrates how the mentorship becomes a mutual and collaborative learning opportunity. Chip Bell outlines the SAGE structure of the mentoring experience. The four steps of Surrendering, Accepting, Gifting, and Extending create a positive and cooperative learning environment that benefits the mentor, the mentee, and the whole organization. Chip Bell also shares ideas for continued, self planned learning after the mentoring experience ends. Learn how to be both a great mentor, and a strong mentee, and share in the lifelong learning process on Blog Business Success Radio.

Managers as Mentors, Third Edition by Chip R. Bell & Marshall Goldsmith - Book review




Managers as Mentors

Building Partnerships for Learning, Third Edition


By: Chip R. Bell, Marshall Goldsmith

Published: June 3, 3013
Format: Paperback, 256 pages
ISBN-10: 160994710X
ISBN-13: 978-1609947101
Publisher: Berrett-Koehler Publishers












"What is mentoring? At its most basic level, it is simply the act of helping another learn. However, the relationship between helper and helpee changes significantly when performed as a learning partnership rather than the traditional teaching “parentship (master teaches apprentice)", write senior partner with the Chip Bell Group, Chip R. Bell; and internationally recognized thought leader Marshall Goldsmith, in the completely revised third edition of their very practical and engaged partnership based book Managers as Mentors: Building Partnerships for Learning, Third Edition. The authors describe a fresh approach to the concept of the relationship between the mentor and the protege that emphasizes the relationship as a mutually beneficial partnership in place of the traditional teacher and pupil dynamic.


Chip R. Bell (photo left) and Marshall Goldsmith recognize the important distinction between the concepts of mentors and of coaches. While coaching focuses on improving performance, the authors point out that the role of the mentor is to facilitate learning. The central element of the book is the overall philosophy of partnership between people.

The authors offer the perspective that both the mentor and the mentee are learning during the process, and that the more they learn, the more they will accomplish and achieve in their roles. In the end, the authors offer an alternative role for managers and employees, as mentors and colleagues in the ongoing learning and leadership development process.


Marshall Goldsmith (photo left) and Chip R. Bell recognize the critical importance of attracting and retaining top quality employees within the organization. The authors are keenly aware of the transformation of managerial roles in the modern, flatter companies. To facilitate the new role for managers and leaders, the successful organization has adapted and became a teaching and learning location. With this change has risen the importance of mentors as teachers and also as learners with their partner proteges.

The authors break down this new form of learning and sharing of wisdom into the new partnership role of mentorship. The authors divide the book into seven overarching sections to facilitate understanding and facilitating this new learning based organization. The seven parts of the book are as follows:

* Mentoring is...
* Surrendering: Leveling the learning field
* Accepting: Creating a safe haven for risk taking
* Gifting: The main event
* Extending: Nurturing a self-directed learner
* Special conditions
* The mentor's tool kit

For me, the power of the book is how Chip R. Bell and Marshall Goldsmith combine a comprehensive framework for transforming the concept of mentors, with the hands on skills necessary to achieve success for both the mentor and the mentee. The authors offer a completely updated and revised version of their classic book on mentoring, and add even more value and new tools to make the mentor and protege roles even more effective. The authors also include a crucial presentation and vision of life after the mentor is longer there.

The authors provide a complete case study at the conclusion of each chapter to illustrate the principles in action in the real world. With the book's central focus on learning as a partnership between the manager as mentor, and the colleague, co-worker, or team member as co-creator in the learning process, is brought into clarity with hte case studies. The book is set up in a logical format, where the various concepts lead naturally to one another, and also are shown to be integrated into a holistic overall perspective.

I highly recommend the very clear and concise book Managers as Mentors: Building Partnerships for Learning, Third Edition by Chip R. Bell and Marshall Goldsmith, to any leaders and managers who are seeking a powerful and learning based alternative to the traditional form of mentoring. This book will transform your organization into a mutual learning and collaborative culture where lifelong learning leads to greater success.

Log Collector for Android Apps

Log Collector for Android Apps

How to Collect Logs when We are not connected to DDMS?

Logs are too urgent when we are receiving any type of crash in our app or when our apps are not behaving accurately. Traditionally for the Android App, You all gather the logs by the connecting to the DDMS. However sometime it become so hard to digs out the log when our devices do not get connect with our Machine due to any problem like cable or any other error with the devices. Recently We faced such problem for my developer. If we are the one who face this problems, then here is an apps which can help us or those in such situations.

Lets work on Log collector:
  • Log collector is like an apps or tools which can give us the applications log whenever it mandatory
  • We are not mandatory to connects with our Machine
  • We can also share the log via various social mean like: Email, Facebook, Bluetooth, Messaging etc.
  • We can also update the log before transferring these logs to our dev team

How to Get this Log Collector?

We can configure it from the Android Market (Now also on Google Play). So Just Type 'Log Collector' and search from the Google Play. This type of app or tool can be configure on the version 1.5 of Android and or the Above version.

Following Screens Will Help you to Understand about this Log collector:

Log Collector for Android Apps
Log Collector for Android Apps

How to collect  logs when you are not connected to DDMS
How to collect  logs when you are not connected to DDMS
Log Collector
Log Collector


Get Paid To Promote, Get Paid To Popup, Get Paid Display Banner

adsense